I love documentaries. Even the most biased ones still have the
ability to impart useful information if you can successfully sift through the
rhetoric and prejudice. While a truly impartial film is an impossibility, that is just as well since personal feelings and testimony are usually
what makes documentaries so entertaining. The six movies listed below are no exception, and all of them have a common theme: the human condition. Whether the subject is what we think or feel or
believe, each of these documentaries delves into a facet of human life that I find
fascinating.
“A Certain Kind of Death”
Everyone has their own ideas about
what happens when we die, but one thing is certain; whether it is a grand,
public ceremony or a small, quiet service, all of us would like to be fondly remembered
by our family and friends. But what
about the deceased that don’t have loved ones to attend to their last
wishes? What do you do with an unclaimed
body? “A Certain Kind of Death” examines
the procedures that local government services provide for those who die and
have no relatives to make arrangements. This
film's particular perspective is not readily apparent at first, but
it creates a subtle and unique impact upon the viewer.
All of the people interviewed
for “A Certain Kind of Death” offer no opinions or personal observations about their jobs. All they do is describe their part in the
process while we watch what happens to the bodies. The absence of emotional testimony is very refreshing. All documentaries
suffer from bias, but “A Certain Kind of Death” does a superb job of making the
viewer feel like they can decide for themselves whether what unfolds honors the
unmourned or leaves something to be desired.
Squeamish folks are warned to have the remote ready as there are a few unpleasant
scenes involving just discovered corpses.
“Who the #$&% is Jackson Pollock?”
Anyone remotely associated
with the art world knows about Jackson Pollock, but how many career truck drivers are familiar with the man who broke
new ground with his splatter paintings?
Teri Horton had no clue who the #$&% Jackson Pollock was, but after
a fateful purchase at a five and dime store, this 73 year-old woman suddenly
discovered that she may have bought one of Pollock’s lost works for the
staggering sum of five dollars!!
The film follows Horton’s agonizing
attempts to authenticate her purchase, and the culture clash that erupts
between this blue collar worker and the blue-nosed art snobs is hilarious and very
revealing. Teri Horton never had a
higher education, but her common sense and tenacity keep her going despite the
sneering derision heaped upon her.
Though the film lacks a resounding conclusion, it is a fascinating
portrait of two very disparate strata of society, brought contentiously
together by a mutual need for validation.
“Dear Zachary”
Have you ever loved someone
who wasn’t just “a little off” but actually insane? Most of us are fortunate enough to find a
life partner who is not a ticking time bomb of psychosis. Andrew Bagby was not so lucky. A sweet and soulful young man, Andrew was
loved by all who knew him. Then he met
Shirley Jane Turner, and the slow, inexorable way in which his simple world
collapsed into a mental nightmare is horrifying.
“Dear Zachary” is impossible
to summarize without revealing information of colossal spoiler value. It is an utterly heartbreaking story, and the
end is a shocking gut punch, especially when you realize who made this film. Andrew Bagby’s lifelong friend, Kurt Kuenne
was solely responsible for every aspect.
Despite the tragedy, this film deserves to be seen, as it is a poignant
and affecting tribute to a dear friend.
A box of tissues is required.
“In the Realms of the Unreal”
Henry Darger was 81 years old
when he died in Chicago in 1973, but no one could have suspected that this quiet
little janitor would rock the art world with one of the greatest discoveries of
the modern era. Henry Darger had few
friends and led a reclusive life, but after Darger's passing his landlord
unearthed a historic treasure trove of writings and artworks in the deceased's
apartment. For decades Darger had labored
over a 15,000 plus page novel and multiple massive painted canvasses, some as
large as 12 feet across. The sheer
volume of written and visual work astounds the eye and overwhelms the mind with
its epic scope.
“The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion” is a monumental work of fiction. What is even more astonishing is that Henry Darger was self-taught. He never graduated from any school nor took any formal training of any kind. Yet Darger was able conjure an amazingly detailed story and compose colossal watercolor illustrations that comprise a fantastic story of grand mythical adventure. Though his living years were spent in total obscurity, Henry Darger left behind an artistic legacy that is an enthralling testament to the power of imagination and creativity.
“Prodigal Sons”
Like many young married
couples, Loren and Carol McKerrow greatly desired children. Believing themselves incapable of having
their own, Loren and Carol adopted a young boy and named him Marc. However, on the day of Marc’s homecoming,
Carol discovered that she was pregnant for the first time. The new parents choose Paul as the name for
their biological child, and another son, Todd, was born soon after. What begins as a rose-colored story of a
happy quintet morphs into a mesmerizing tale of identity crisis and
transformation. The fact that this family remained together and supported one
another through such extreme changes is a sterling example of what “family
values” ought to mean.
Paul realizes that she is
transgender, and undergoes the difficult process of transitioning into being
Kimberly Reed. Todd struggles to come to
terms with being homosexual, and their adopted brother Marc exhibits increasing
mental problems and has to be committed.
A further bombshell occurs when it is discovered that Marc is related to one of Hollywood's most famous directors. The amount of growth, acceptance and
forgiveness that the McKerrow family experiences and embraces is harrowing and
exhilarating. Watching these brave souls
trying to make sense of their place in the world is incredibly inspiring, and
the film captures all of these moments with a tenderness that will have you
weeping with joy at the inner beauty that shines forth.
“Cane Toads”
As all of the above
documentaries are quite intense, I want to end with one that is funny and
lighthearted. “Cane Toads” is one of the
best human interest documentaries I’ve ever seen. The film begins with a jaw-dropping
governmental goof: the introduction of the Cane Toad into Australia. It was hoped
that the Cane Toad would consume and thereby curb the cane beetle pest. However, the two species never encounter each
other in their natural habitats and the Cane Toads
proceed to eat everything else. RESEARCH,
people! Look into it! The
Cane Toads have no natural enemies in Australia, and so their population explodes.
While the facts of this biological blunder are fascinating, the rogues’ gallery of quirky locals and officials who are interviewed provide the true entertainment. The variety of human responses to the Cane Toad invasion is enthralling, and the personalities and stories are by turns heartbreaking, hilarious and exceedingly irreverent. While some have lost pets to the Cane Toads’ poison, others smoke it to get high! Some run over every single toad on the road while others feed them from their back porch like pigeons. The Cane Toad may be the subject of the film, but it is the humans who are the stars.
While the facts of this biological blunder are fascinating, the rogues’ gallery of quirky locals and officials who are interviewed provide the true entertainment. The variety of human responses to the Cane Toad invasion is enthralling, and the personalities and stories are by turns heartbreaking, hilarious and exceedingly irreverent. While some have lost pets to the Cane Toads’ poison, others smoke it to get high! Some run over every single toad on the road while others feed them from their back porch like pigeons. The Cane Toad may be the subject of the film, but it is the humans who are the stars.
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